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Dave Hilberman (interviewed September 2003) was one of the pioneers of animation, admired almost as much for his stellar work in helping to build the Cartoonist’s Union, as he was for his superb direction and layout work.  Every animator in the industry owes a debt to his selfless energy in seeing that the animation family has better working conditions.  Hilberman began as an art teacher in a Cleveland high school, before being selected to work on Disney’s first animated feature, Snow White.  Our 2003 interview with Hilberman is marred by a technical hum that was in the line that day, but we are working to get that fixed and will replace the present audio with a better version, asap.  The 30 minutes that you will hear here, were selected from a longer interview recorded for the UPA documentary.  We will be adding more from the UPA interview library, as the weeks go by, to augment our regular podcast interviews, because some of those earlier interviews are becoming historic, even when we set aside the UPA material for later use in the documentary. 

But, there is still quite a bit about UPA in this interview, because Hilberman was one of the founding fathers, the others being Zack Schwartz, and my dad, Steve Bosustow. Hilberman created all the poster jobs for the young studio, then called United Film and Poster Service, while Zack and my dad concentrated on a slide film, Sparks and Chips Got the Blitz.  But, when they landed their first actual film, Hell Bent for Election, a frame of which is to the right, everyone climbed aboard.  Chuck Jones directed, and Hilberman did layouts, and was instrumental is getting the Hell Bent job, commissioned by the CIO and United Auto Worker’s, in support of the re-election of Franklin Roosevelt in 1944.  Also in the interview, are thoughts about the Cartoonists Union, the Disney Strike, the  Black List, serving in World War II, and the formation of Tempo Films, which Hilberman founded with Zack Schwartz, in New York.

It was an exciting time for young liberal artists like Hilberman, and his excitement continued long after leaving UPA.  But, one of the greatest things about Hilberman, for me personally, was his strong sense of family, supported by a 70-year marriage with the love of his life, Libbie Hilberman.  Dave Hilberman was my very first video interview for the UPA documentary.  I was anxious about our first meeting, and doubting whether I should be intruding in other people’s lives, but Dave and Libbie were so gracious and warm, that I quickly became enthusiastic about the project.  Of the many people who have encouraged and helped along the way, the Hilberman’s were at the very beginning.

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This episode sponsored by The UPA Project

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As of  December 24th, 2009, the last of the 50 signed books was sold.  However, there are still a number of the unsigned books left of this limited edition look into the artists of UPA.

These numbered, but unsigned, editions are being sold at $60. which includes shipping anywhere in the world.

 (All proceeds go to the production of the feature documentary UPA: Magoo, McBoing Boing & Modern Art.)

 

Books can be reserved online with a PayPal payment by clicking the PayPal button below (be sure to include all of the requested information) or if you prefer, send a check or money order or international money order made out to “Artist in Me L.L.C.” with the information below to: 

     

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UPA Photo Book

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